当前文化消费空间特征与发展动向探析  

Analysis of the Characteristics and Development Trend of Current Cultural Consumption Space

作　　者：戴俊骋[1] 那鲲鹏[2] 赵子婧 DAI Juncheng;NA Kunpeng;ZHAO Zijing

机构地区：[1]中央财经大学文化与传媒学院、文化经济研究院,北京100081 [2]中国城市科学研究会县镇工作部,北京100835 [3]英国伦敦大学学院美术学院,伦敦WCEBT

出　　处：《城市发展研究》2021年第7期99-104,共6页Urban Development Studies

基　　金：教育部人文社会科学研究基金(20YJC760013);北京社会科学基金(19YTC039);国家自然科学基金(42071194);国家社科基金重大项目(18VSJ080);中央财经大学“青年英才”培育支持计划(QYP202111)。

摘　　要：当前对文化消费的研究多从经济角度切入,地理学在文化消费领域的研究亟待完善。对文化消费空间研究中易混淆的概念关系进行了辨析,提出要充分认识文化消费空间的公共性、符号性和继承性特征。当前文化消费空间实践正从传统空间向创新型、体验型、虚拟性、临时性等空间延展,支撑网络也从供需两端向多主体多尺度延伸。未来应切实关注文化消费空间对城市文化塑造的特殊性,促进线上线下文化消费综合发展,激活科技、文化和金融的多要素融合,进一步扩大"弱势"群体参与度。The research on cultural consumption is mostly from the economic viewpoints, but the research on geography of cultural consumption needs to be improved. The paper focuses on combing the confusing pairs of studies on cultural consumption space, and proposes to fully understand the publicity, symbolism and inheritance characteristics of cultural consumption space. The current practice of cultural consumption space is extending from traditional space to innovative, experiential, virtual, temporary spaces. The supporting network also extends from both ends of supply and demand to multiple entities and scales. In the future, we should pay close attention to the particularity of cultural consumption space to the shaping of urban culture, promote the comprehensive development of online and offline cultural consumption, activate the integration of multiple elements of technology, culture and finance in the consumption field, and further expand the participation of "weak" groups in the cultural consumption space.

关 键 词：文化消费空间 消费文化空间 消费地理 消费社会 

分 类 号：G07[文化科学]