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作 者:骆兵[1] Luo Bing(Jiangxi University of Finance and Economics,Nanchang 330006,P.R.China)
机构地区:[1]江西财经大学,江西南昌330006
出 处:《江西科技师范大学学报》2021年第3期97-103,共7页Journal of Jiangxi Science & Technology Normal University
基 金:2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(上海卷)”(编号:19ZD04)。
摘 要:党的八大二次会议制定了“鼓足干劲、力争上游、多快好省地建设社会主义”的总路线。随后,文化部召开全国戏曲表现现代生活座谈会,发出了“以现代剧目为纲,推动戏曲工作的全面大跃进”的号召。上海戏曲界贯彻总路线的精神,响应文化部的号召,紧密配合形势,顺应时代需求,掀起了戏曲现代戏剧目的创作与演出热潮。上海戏曲现代戏剧目的创作与演出主要体现了反映现实和粗制滥造两个相互关联的性质和特征。其中一小部分戏曲现代戏剧目最终淬炼成为艺术精品,凸显了艺术家难能可贵的革命现实主义的创造精神。at the second session of the Eighth National Congress of the Communist Party of China,the general line of“building socialism with all our vigour,striving for the top,and building it economically and as quickly as possible”was formulated.Subsequently,the ministry of culture held a National Symposium on the manifestation of modern life in traditional Chinese opera,and issued a call for“taking modern Chinese opera as the guiding principle to promote the overall great leap forward of traditional Chinese opera work”.Shanghai Opera circles carried out the spirit of the general line,responded to the call of the ministry of culture,closely cooperated with the situation and complied with the needs of the times,and set off an upsurge of modern opera creation and performance.The purpose of creation and performance of modern Shanghai opera mainly reflects the nature and characteristics of reflecting reality and rough production.What needs to be emphasized is that a small part of the creation and performance of modern drama was finally refined into fine art.This small part of the repertoire reflects the estimable creative spirit of artists with revolutionary realism.
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