生态女性主义视域下的露易丝·格丽克诗歌自然意象与生态意蕴--以诗集《野鸢尾》为例  

The Natural Image and Ecological Implication of Louise Grück's Poetry from the Perspective of Eco-feminism--Take an Example of the Collection of Poems Wild Iris

作　　者：孙岚 SUN Lan(School of Chinese Language and Literature,Lanzhou University,Lanzhou Gansu 730000)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《牡丹江大学学报》2021年第9期25-31,共7页Journal of Mudanjiang University

基　　金：国家社科基金项目“比较文学视域下的生态散文研究”研究成果(14XZW011)。

摘　　要：2020年诺贝尔文学奖获得者、美国当代诗人露易丝·格丽克发表于1992年的《野鸢尾》是一部意蕴丰富的诗集。在诗集《野鸢尾》中,格丽克通过描写自然意象传达出的生态意蕴,包含了女性诗人独特的生命体验和哲学思考。从生态女性主义的视角出发,诗集《野鸢尾》中的自然意象和生态意蕴有着多重内涵,不仅表现在自然意象类型多元、自然意象与女性主体的复杂关系以及自然意象情感的非个性化表达方面,也渗透到了诗歌生态意蕴的哲学、伦理、文化、审美等层面。In 1992,"Wild Iris",published by Louise Grück,a contemporary American poet and winner of the 2020 Nobel Prize for Literature,is a rich collection of poems with rich meaning.In the book of poetry,"Wild Iris",Grück describes the ecological implications of natural images,including the unique life experience and philosophical thinking of female poets.From the perspective of eco-feminism,the natural image and ecological implication in the collection of poems"Wild Iris"have many connotations,which are not only manifested in the diversity of natural image types,the complex relationship between natural image and female subject,and the non-personalized expression of natural image emotion.It also permeates the philosophical,ethical,cultural and aesthetic aspects of poetry ecological implication.

关 键 词：露易丝·格丽克 《野鸢尾》 生态女性主义 自然意象 生态意蕴 

分 类 号：I207.2[文学—中国文学]