岭南贬谪文学之张融《海赋》篇章探究  

A Study of ZHANGRong’s Ode to Ocean in Lingnan Relegation Literature

作　　者：叶雪露 YE Xue-lu(School of Chinese Language and Literature, Guangxi Normal University, Guilin 541006,China)

机构地区：[1]广西师范大学文学院,广西桂林541006

出　　处：《宜春学院学报》2021年第7期85-92,共8页Journal of Yichun University

基　　金：广西研究生教育创新计划项目“清代岭南诗歌的岭南书写与岭南文化研究”(项目编号:YCSW2020088)。

摘　　要：《海赋》是南朝时期张融渡海至交州的过程中所作,海赋作品在南北朝时期为数不少,但张融《海赋》自有其创新之处。首先,结构创新之处在于《海赋》的篇章结构并未拘泥于常见章法,而有其独特个性;其次,《海赋》的文辞创新之处,主要体现在意象的构思及选择、语言运用新奇诡谲,句子想象奇特,构思精巧,以及“取情理以譬物象”三个方面;再次,《海赋》深受佛道思想的影响,具有玄思奥妙之深意;最后,岭南独特的地理环境对张融《海赋》的创作也产生了一定的影响,最终形成了“诡激”的风格。“Ocean Fu”is a work of Zhang Rong during his early years in the Southern Dynasties.It was made during his journey across the sea to Jiaozhou.There are many works of Ocean Fu in the Southern and Northern Dynasties,but Zhang Rong’s“Ocean Fu”has its own innovations.First of all,the structural innovation is that the chapter structure of“Ocean Fu”is not limited to the common chapters.It has a unique personality.Secondly,the literary innovations of“Ocean Fu”are mainly reflected in the conception and choice of imagery,the novel and quirky use of language,the strange imagination of sentences,and“appropriate reasoning and object images”.Thirdly,“Ocean Fu”is deeply influenced by Buddhism and Taoism and has profound meanings of Mysterious.Finally,judging from the writing style and historical records,the unique geographical environment of Lingnan also had a certain impact on Zhang Rong’s creation of“Ocean Fu”,and eventually formed a“surprising”style.

关 键 词：张融 海赋 贬谪 岭南 创新 

分 类 号：I206.2[文学—中国文学]