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作 者:李洪玮 安娜 杨炯 王雪 章锦荣[3] LI Hong-wei;AN Na;YANG Jiong;WANG Xue;ZHANG Jin-rong(School of Fine Arts,Cangzhou Normal University,Cangzhou,Hebei 061001,China;Office of Academic Research,Cangzhou Normal University,Cangzhou,Hebei 061001,China;School of architecture and art design,Hebei University of Technology,Tianjin 300400,China)
机构地区:[1]沧州师范学院美术学院,河北沧州061001 [2]沧州师范学院科研处,河北沧州061001 [3]河北工业大学建筑与艺术设计学院,天津300400
出 处:《沧州师范学院学报》2021年第3期27-30,共4页Journal of Cangzhou Normal University
基 金:河北省文化艺术科学规划和旅游研究项目“河北古代石桥栏板画艺术特征与文化传承研究”,编号:No.HB20-YB032。
摘 要:河北境内目前留存的全国重点文物保护单位及以上级別的古代石桥共有10座,它们远至隋代,近至清代,历史悠久,其栏板画艺术深切体现着河北地域文化。由于部分桥梁保护未得到足够重视,致使其栏板画损毁严重,对这项艺术的保护与传承迫在眉睫。这些石桥栏板画在题材选取、构图形式和纹样选取上均具独特的艺术特征,具有珍贵的艺术价值。从景区重点展示、文创产品设计、虚拟现实技术运用三个方面,可有效促进石桥栏板画艺术的传承与创新。At present,there are 10 ancient stone bridges listed as national key cultural relics in Hebei.Some were in the Sui Dynasty and others the Qing Dynasty,which column board painting art deeply reflects the regional culture of Hebei.Due to the lack of protection,the fence paintings are seriously damaged.It is urgent to protect and inherit this art.These stone bridge fence paintings have unique artistic characteristics in subject selection,composition form and pattern selection,with precious artistic value.Effectively promotion of the inheritance and innovation of stone bridge fence painting art can be achieved from three aspects:the key display of the scenic spot,the design of cultural and creative products and the application of virtual reality technology.
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