《文心雕龙·物色》:文思奥府,江山之助  

Wen Xin Diao Long·Wu Se:the Relationship between Natural Scenery and the Creation Subject

作　　者：石海光[1] Shi Haiguang(School of Chinese Language and Literature,Inner Mongolia Normal University,Hohhot,Inner Mongolia,010022)

机构地区：[1]内蒙古师范大学文学院,内蒙古呼和浩特010022

出　　处：《语文学刊》2021年第4期1-6,共6页Journal of Language and Literature Studies

基　　金：国家社科基金重大项目“《文心雕龙》汇释及百年‘龙学’学案”(17ZD253);内蒙古师范大学“十百千”人才工程第二层次项目立项资助(RCPY-2-2012-K-006)阶段性研究成果。

摘　　要：《文心雕龙·物色》一文论述了自然景物对写作的触发情以物迁;创作主体与自然景物的关系随物宛转,与心徘徊;表现自然景物的方法和标准以少总多、情貌无遗;自然景物与文章写作关系之根本江山之“助”,以更为开阔的视野描述了创作中普遍存在的心物感应现象,更从根本上指出了自然景物与文章写作的关系及景物描写在文章中应有的地位作用,显然属于更为宏观更具普遍意义的理论问题。Wu Se of Wen Xin Diao Long discusses the trigger of natural scenery to writing:emotion is moved by things.The relationship between the creation subject and the natural scenery is that moving with the object,wandering with the heart;The method and standard of showing natural scenery is that less is more,and the appearance is complete;the fundamental relationship between Natural scenery and writing is using more broader vision to describe the universal phenomenon of heart-matter induction in creation.It fundamentally points out the relationship between the natural scenery and the article writing,and also points out the role of the scenery description in the article.It obviously belongs to the more macroscopic and more general significance of the theoretical problem.

关 键 词：物色 文心雕龙 江山之助 

分 类 号：I206.2[文学—中国文学]