从中国造园视角反思当代“数字工匠”中的后人文话语  

Rethinking the posthumanist discourses of digital craftsmanship through the lens of the Chinese garden crafts

作　　者：闫超[1] Yan Chao

机构地区：[1]同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室

出　　处：《建筑技艺》2021年第7期53-56,113,共5页Architecture Technique

摘　　要：在当代众多从欧洲建筑史维度探索数字建造的研究语境下,从跨文化的角度对中国文人造园思想和当代数字工匠观念的相通性进行讨论。然而,并非试图挖掘并宣称中国文人造园中潜藏着数字化观念的萌芽,而是试图为当代数字建造研究建立一个东方建筑史中的参照物,反思数字工匠观念中动态的创作主体。通过对比剖析两者中关于建造物的生机性概念,开展对数字设计建造过程中人与建造物的主体性间问题的思辨,以期在西方建筑史的语境之外,提供解读数字工匠观念的另一种视角。In parallel to tend of rethinking digital design through the western architecture history, this paper takes a cross-cultural approach and explores the connections between Chinese garden crafts and the concept of digital craftsmanship. The paper is not trying to construct a genealogical linage between the two, but to establish a reference in Chinese garden history for rethinking the dynamic design subject claimed within the concept of digital craftsmanship. The paper analyzes the concept of vitality in both culture, and then rethinks the intersubjective relationships between human and the built environment. In so doing, the paper provides an alternative perspective to interpret the concept of digital craftsmanship.

关 键 词：数字工匠 中国文人造园 后人文主义 建造 生机性 

分 类 号：TU986.1[建筑科学—城市规划与设计]