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作 者:贺梵 谢周[2] He Fan;Xie Zhou(English Department, North China Electric Power University, Baoding 071003, China;School of Foreign Languages, Southwest University, Chongqing 400715, China)
机构地区:[1]华北电力大学英语系,河北保定071003 [2]西南大学外国语学院,重庆400715
出 处:《辽宁师范大学学报(社会科学版)》2021年第5期108-114,共7页Journal of Liaoning Normal University(Social Science Edition)
基 金:中央高校基本科研业务费专项资金资助项目“莱蒙托夫诗歌韵律研究”(2021MS111)。
摘 要:18至19世纪,俄罗斯诗歌中的天使形象创作得到了极大丰富。莱蒙托夫继承并发展了普希金等诗人创立的传统天使形象,并赋予其非同寻常的意义:在世俗层面,天使与爱情相联系;在精神层面,它是诗人的精神寄托。天使形象反映了莱蒙托夫深刻的宗教哲学思想:天使是人间与天国的媒介,是人间的守护者,也是亡灵的引路人。此外,莱蒙托夫还将天使与恶魔结合起来,创造出了一种体现了人的特点的、非纯恶的、在邪恶中隐藏着天使美好一面的独特恶魔形象。From the eighteenth century to the nineteenth century,the images of angels were immensely enriched in Russian poetry.Lemontov inherited and developed the traditional image of angels created by Pushkin and other poets,and loaded it with conventional significance.From the secular perspective,angels are associated with romance.From the unworldly perspective,angels are considered as the poet’s spiritual sustenance.The image of angels reflects Lemontov’s profound religious philosophy.The poet regards angels as the bond between the earthly world and the heaven,the guardian of the world of men,and the guide of spirits.Furthermore,Lemontov combines angels with devils to create atypical demons.This demon image is a reflection of human beings which is not purely evil but hides the devilish side behind the good angelic persona.
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