论新性灵主义诗观及其中西诗学渊源  

A research on neo-hsinglingism and its origins inChinese and western poetry and poetics

作　　者：朱坤领[1] 冯倾城 Zhu Kunling;Feng Qingcheng(School of Foreign Languages, Zhongshan University, Guangzhou 510275, China;School of Humanities, University of Macao, Macao 999078, China)

机构地区：[1]中山大学外国语学院,广东广州510275 [2]澳门大学人文学院,澳门999078

出　　处：《辽宁师范大学学报（社会科学版）》2021年第5期115-120,共6页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社会科学基金重点项目“意象派与中国新诗”(18AWW002)。

摘　　要：龚刚首倡的新性灵主义诗观作为新兴的诗学体系,是对明清性灵派的传承与创新。该诗观涵盖四个方面的核心主张:诗歌本体论、诗歌创作论、诗歌批评观、诗歌翻译观;前两个方面的内涵与外延得以重点探讨。该诗观对古今中外的诗学理论兼收并蓄,从中国古典诗学和现代新诗、意象派所代表的西方现代诗和诗学中汲取营养。它强调“闪电没有抓住你的手,就不要写诗”,性情抒发和哲性感悟的有机结合,诗歌创作的顿悟和诗歌批评的妙悟。该诗观仍在继续发展完善,将有助于中国现代诗歌的创作和理论建设。Neo-Hsinglingism(Neo-Inspirationism),a newly arising poetic theory initiated by Gong Gang,is the inheritance and innovation of the Hsingling School of Ming and Qing Dynasties.The theory covers four major aspects:the poetic ontology,the conception on poetic creation,the conception on poetic criticism and the conception on poetic translation.The focus of exploration includes the intension and the extension of the first two aspects.The theory eclectically incorporates all poetics,ancient and modern,Chinese and Western,to its benefit,by absorbing values from ancient Chinese poetics,modern Chinese poetry,and modern Western poetry and poetics represented by Imagism.It adheres to the following points:the belief of writing poetry only when lightning falls into one’s hands,the combination of emotional expression and philosophical meditation,the epiphany of poetic creation and the insight of poetic criticism.Neo-Hsinglingism is still being enriched and improved,which will help stimulate the creation and theorization of modern Chinese poetry.

关 键 词：新性灵主义 性灵 哲性 闪电 意象 

分 类 号：I227[文学—中国文学]