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作 者:徐海容[1] XU Hai-rong(Department of Chinese, Dongguan University of Technology, Dongguan 523808, China)
出 处:《唐都学刊》2021年第5期18-23,共6页Tangdu Journal
基 金:教育部规划基金:“唐宋文化转型与碑志文研究”(18YJA751034)阶段性成果。
摘 要:唐代碑志创作围绕盛世建设而展开,经历了说教、颂美及宣导三个发展历程。自唐太宗至唐玄宗年间,盛世之梦由希冀成为现实,碑志创作充满赞颂国富民强的盛世图景描写,其书写策略主要表现在讴歌帝唐政治体制的先进性、改革开放的强国措施及人的发展成才等。经过文士的不断改进,盛世碑志以雄浑刚健、华茂壮丽、宏正典雅为特征,其思想内容及文体形态独具特色,对于中华民族历史文化积淀及士民家国情怀产生深远影响。Steles in the Tang Dynasty was created around the construction of a flourishing age and witnessed three development courses:preaching,praising and advocating.During the reign of Tang Emperor Taizong and Tang Emperor Xuanzong,the dream of the prosperous age had become a reality.The inscription creation was full of descriptions of the prosperous age and gave the high praise to the prosperity of the country and its people.The writing strategy mainly reflected the advancement of the Tang emperors’political system,the reform and opening up of the country,the development of talents and so on.Through scholars’continuous improvement,tablet inscriptions of a prosperous age were characterized by firm and robust,splendid and magnificent,grand and elegant styles,their ideological content and stylistic form possessed unique characteristics,having produced a far-reaching influence on the historical and cultural accumulation of the Chinese nation and on the feelings of one’s home and mother country.
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