论“沉船再生”的中西叙事策略及文化创意——聚焦粤港澳文学  

On Chinese and Western Narrative Strategies and Cultural Creativity of “Reproduction of Shipwreck”:Focus on Guangdong,Hong Kong and Macao Literature

作　　者：凌逾[1] 张衡 LING Yu;ZHANG Heng(School of Chinese Language and Literature,South China Normal University,Guangzhou 510006,China)

机构地区：[1]华南师范大学文学院,广东广州510006

出　　处：《山西大学学报（哲学社会科学版）》2021年第5期22-30,共9页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金重大招标项目“香港文艺期刊资料长编”(19ZDA278);广东省普通高校省级重大科研项目“粤港澳大湾区的跨媒介创意研究”(2017WZDXM005)。

摘　　要：沉船是古代"海丝路"商贸往来的文化遗产与重要见证,也是勾连中西古今的经典文化符号。对比分析以"南海Ⅰ号""南澳Ⅰ号""泰坦尼克号"为代表的中西方沉船叙事系列作品,聚焦粤港澳文学叙事策略及文化创意,发现粤港澳沉船叙事善于"以文化灾",有赖于借助地域性、民族性、世界性的多元文化力量汇聚提炼。粤港澳沉船叙事彰显出地域文化特色,为推动当代"海丝"文化走向想象共同体创新提供了全球化时代"讲好中国故事"的优秀范本。The shipwreck is not only the cultural heritage and important witness of the ancient "Silk Road" trade, but also a classic cultural symbol linking the ancient and modern China with the West.By conducting comparative analysis of the Chinese and Western shipwreck narrative series represented by "Nanhai I","Nanao I" and "Titanic" and focusing on the literary narrative strategies and cultural creativity of Guangdong, Hong Kong and Macao, this paper finds the narrative of the shipwreck in Guangdong, Hong Kong and Macao is good at "Resolving Disaster by Literature",which depends on the use of regional, national and global multicultural forces.The shipwreck narrative highlights the regional cultural characteristics of Guangdong, Hong Kong and Macao, promotes the contemporary "Maritime Silk Road Culture" to the innovation of imagined community, and provides an excellent model for "Telling Good Stories of China" in the era of globalization.

关 键 词：粤港澳文学 沉船叙事 “海丝”路 文化创意 “中国故事” 

分 类 号：I206.7[文学—中国文学]