明代民歌的舆论诉求和文化意蕴  

The Public Opinion Appeals and Cultural Implication of the Ballads in Ming Dynasty

作　　者：展龙[1] ZHAN Long(School of History and Culture,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学历史文化学院,河南开封475001

出　　处：《山西大学学报（哲学社会科学版）》2021年第5期71-79,共9页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金重大项目“中国历史上的灾害与国家治理能力建设研究”(20&ZD22);国家社会科学基金项目“明代社会舆论与政治秩序研究”(11CZS017);河南省高校哲学社会科学创新团队支持计划项目(2018)。

摘　　要：明代民歌独树一帜,蔚为一绝,是广大士民对现实社会的深切感触和深刻体悟,蕴含着真切的情感追求和真实的舆论诉求。明代民歌作为一种意趣含蓄而意味深长的文化创作形式,以生动而异样的方式再现了士民真实、自在的生活实态、思想境界和政治取向,表达了士民天然本色、质朴无华、清新浅近的生活诉求,道出了士民极陈时弊、吐泄愤懑、心系天下的政治诉求。明代民歌一定程度上充当了传播舆论的独特载体,充分彰显了明人浓郁的生活情调、深沉的政治情怀和朴实的精神情愫。As a unique style, the ballads in Ming dynasty have shown the profound reflection of the whole public on the reality, implying the emotion persuits and the real public opinion appeals.As a form of literature with implied meaning, Ming’s ballads re-created public’s real lifestyle, ideological realm and political orientation vividly.It also expressed public’s natural life pursuits and extensive political demands to rectify the errors.To some extent, Ming’s ballads became a special carrier of the spread of public voice, which fully manifested people’s lively attitude towards life, deep political feelings and simple emotion during the post-Ming times.

关 键 词：明代 民歌 舆论 功能 

分 类 号：K248[历史地理—历史学]