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作 者:王烨[1] 吴尧[1] WANG Ye;WU Yao(Department of Chinese Language and Literature,Xiamen University,Xiamen 361005,Fujian)
出 处:《厦门大学学报(哲学社会科学版)》2021年第5期18-27,共10页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:福建省2019年度社会科学规划项目“国家纪念语境中的革命诗歌研究”(FJ2019B059)。
摘 要:“黄埔生”的革命文学实践至今未引起现代文学研究者重视,其文学实践在革命文坛上的地位及价值未能获得深入探究。“黄埔生”开创了现代革命军旅文艺的先河,又掀起了“革命自传”的文学书写潮流,并推动了北方左翼文学运动的兴起。“黄埔生”的革命自传书写,曾被誉为革命时代的历史纪念品及革命文学的“正宗”,也遭到左翼文坛的不断批判。探究“黄埔生”的革命文学实践及历史意义,不仅可弥补革命文学研究的历史遗漏,而且有助于深化对革命文学“本体性”的再认识。The revolutionary literary practice of“Whampoa Military Academy alumni”has not received much attention from modern literary researchers.The status and value of this special group of literary practice in the revolutionary literary world have not been thoroughly explored.“Whampoa Military Academy alumni”pioneered the modern revolutionary military literature,started the trend of“revolutionary autobiography”writing,and facilitated the rise of the left-wing literary movement in northern China.They wrote revolutionary autobiographies,and their works were once hailed as historical mementos of the revolutionary era and“authentic”revolutionary literature,but they were also constantly criticized in left-wing literary circles.By investigating the revolutionary literary practice and historical significance of“Whampoa Military Academy alumni”,we can not only make up for the historical omissions in the study of revolutionary literature,but also deepen our understanding of the“ontology”of revolutionary literature.
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