钢琴组曲《滇南山谣三首》的创作及演奏分析  

Creation and Performance Analysis of Piano Suite Three Mountain Ballads in Southern Yunnan

作　　者：吴昊亮 WU Haoliang(Music College,Neijiang Normal University,Neijiang,Sichuan Province,641100 China)

机构地区：[1]内江师范学院音乐学院,四川内江641100

出　　处：《科技资讯》2021年第18期181-183,187,共4页Science & Technology Information

摘　　要：《滇南山谣三首》是我国一首非常有名的独奏曲目,作品在演奏的过程中有着独具特色的民族音乐与钢琴的结合方式,该文主要针对于钢琴组曲《滇南山谣三首》展开了创作分析,并对其演奏中所具有的特点加以探究。曲目创作的分析主要包含了背景、结构以及创作特征等内容,对于演奏则是从跳音、连线演奏以及踏板的运用中展开分析。该曲目有效地将中西方艺术融合在一起,以期通过分析为我国钢琴曲目的创作与发展提供更多的借鉴。Three Mountain Ballads in Southern Yunnan is a very famous solo repertoire in China.In the process of performance,the work has a unique combination of national music and piano.This paper mainly focuses on the creative analysis of the piano suite Three Mountain Ballads in Southern Yunnan,and explores the characteristics of its performance.The analysis of repertoire creation mainly includes the background,structure and creative characteristics.For performance,it is analyzed from the application of skip,connecting performance and pedal.The repertoire effectively integrates Chinese and western art,and provides more reference for the creation and development of piano music in China through analysis.

关 键 词：钢琴组曲 滇南山谣三首 创作 演奏 

分 类 号：J624.1[艺术—音乐]