紧身胸衣兴衰的偶然性与必然性  

Contingency and necessity of the vicissitude of corset

作　　者：孙丽[1] Sun Li(School of Fashion,Suzhou Art&Design Technology Institute,Suzhou 215104,China)

机构地区：[1]苏州工艺美术职业技术学院服装设计学院,江苏苏州215104

出　　处：《纺织报告》2021年第8期116-119,共4页

摘　　要：文章通过文献研究,分析克里特文明时期出现裸胸紧身衣和文艺复兴前期出现紧身胸衣的原因及其最终消失的原因。研究表明,紧身胸衣的出现、流行、衰退并非一个人、一件事就偶然促成的,而是由社会、文化、思想、技术发展等因素共同作用产生的必然结果。和所有事物的发展规律一样,紧身胸衣刚出现的时候是具有革命性和先进性的,随着社会形态的发展,逐渐显现出不合时宜的反动性和落后性,进而不可避免地被淘汰。On the basis of the documentation research,this paper analyzes the reasons how the strapless fitted bodice appeared and disappeared with the Minoans and how the corset appeared and disappeared in the early Renaissance.The research shows that,the emersion,prevalence and fadeout of the corset are not accidently brought out by one person or one event.They are the natural result of the coaction of social,cultural,mental,technical factors.Just as the development of all things,the corset was revolutionary and progressive in its appearance and gradually became reactionary and unprogressive with the development of the entire social forms.Its elimination is unavoidable.

关 键 词：紧身胸衣 克里特文明 文艺复兴 偶然性 必然性 

分 类 号：J523.5[艺术—艺术设计]