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作 者:施旭升[1] Shi Xusheng
机构地区:[1]中国传媒大学
出 处:《戏剧(中央戏剧学院学报)》2021年第4期1-12,共12页Drama:The Journal of the Central Academy of Drama
基 金:中国传媒大学中央业务经费支持项目“新时代中国特色戏剧学创新体系及人才培养模式研究”(项目编号:CUC200A013);“20世纪戏曲‘新编’历史与模式研究”(项目编号:2018CUCTJ092)的阶段性成果。
摘 要:相对于传统戏曲剧目的搬演,20世纪以来的戏曲新编创作,是以新剧目的编创为目的,它不仅提供了新的舞台呈现,而且给观众带来了新的观赏体验和审美范式,成为戏曲现代化之实现的主要路径。戏曲新编创作既需要对于中国戏曲本体的依归,又需要为表达新的时代精神而不可避免地借鉴西方戏剧的审美经验,逐渐走向美学上的融通。如何在"传统戏曲"之外追求"现代戏曲"的品格,戏曲新编创作或许可以提供一个有效的实践路径和阐释路径。因为"现代戏曲"不唯是现代题材的戏曲,也不仅仅具有现代市场、为现代观众所喜闻乐见的戏曲,而是具有现代性审美品格的戏曲,故而,从戏曲新编的创作经验入手,考察20世纪戏曲新编的历史,总结其艺术范式的转换,进而构建中国现代戏曲新美学,既是必要的,也是可行的。Compared with the reproduction of traditional Chinese opera, the new creation of Chinese opera since the 20 th century is aimed at creating new opera. It not only provides a new presentation onstage, but also brings a new experienceof appreciation and aesthetic paradigm to the audience, which has become the main approach to realize the modernizationof Chinese opera. The new creation of Chineseopera not only needs the attachment to itstradition, but alsoinevitably needs to learn from the aesthetic experience of Western drama in order to express the new spirit of the time, and move towards aesthetic integrationgradually. The new creation of Chinese opera may provide an effective practical approach and interpretation pathto break through the "traditional Chineseopera" and pursue the character of "modern Chineseopera". "Modern Chineseopera" is not only the opera with modern theme, or the opera owning modern market and loved by modern audiences, but also the opera with modern aesthetic character. Therefore, it is necessary and feasible to analyze the creation experience of new Chinese opera,investigate its history in the 20 th century, summarize the transformation of its artistic paradigm, and construct the new aesthetics of modern Chinese opera.
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