戏剧人类学家眼中的中国戏曲——尤金尼奥·巴尔巴访谈录  

Traditional Chinese Operas in the Eyes of a Theater Anthropologist——An Interview with Eugenio Barba

作　　者： 冯伟[2] 张若男 王月(译) Eugenio Barba;Feng Wei;Zhang Ruonan;Wang Yue(Trans)

机构地区：[1]不详 [2]山东大学外国语学院

出　　处：《戏剧（中央戏剧学院学报）》2021年第4期13-27,共15页Drama:The Journal of the Central Academy of Drama

摘　　要：本访谈基于尤金尼奥·巴尔巴所开创的戏剧人类学与中国戏曲的关联,讨论巴尔巴如何与戏曲及戏曲从业者接触,聚焦他对戏曲表演程式的看法。访谈同样比较了欧丁剧团演员训练与戏曲及其他东亚戏剧传统的异同,并在此背景下进一步思考戏曲对当今世界戏剧的价值。Based on the connection between Traditional Chinese Operas(xiqu)and Eugenio Barba’s conceptualization of theatre anthropology, this interview introduces how Barba, in his career, encountered xiqu and xiqu professionals, and then focuses on his perception of xiqu’s performance conventions. This interview further considers xiqu’s contribution to contemporary world theatre, along with a comparison of differences and similarities between actor training of Odin Teatret and the tradition of xiqu and other East Asian theatre.

关 键 词：戏剧人类学 戏曲 尤金尼奥·巴尔巴 演员训练 

分 类 号：J83[艺术—戏剧戏曲]