从社区呈现到全景融合:中国生态博物馆建设视域转型  

From Community Presentation to Panoramic Integration:The Transformation of the Perspective of China’s Eco-museum Construction

作　　者：吴晓梅 吴秋林 WU Xiao-mei;WU Qiu-lin(School of Humanities and Management,Guizhou University of Chinese Medicine,Guiyang 550025,China;Administration Office of Academia,Guizhou Minzu University,Guiyang 550025,China)

机构地区：[1]贵州中医药大学人文与管理学院,贵州贵阳550025 [2]贵州民族大学科研处,贵州贵阳550025

出　　处：《北方民族大学学报（哲学社会科学版）》2021年第5期16-24,共9页Journal of North Minzu University(Philosophy and Social Science)

基　　金：国家社会科学基金项目“中国生态博物馆实践与理论研究”(2019BMZ112)。

摘　　要：生态博物馆的理论基础问题是生态关系的建立和表达,其主要路径是把社区区域等同于生态博物馆的展示区域,并且使用布展方式在区域内建立标牌,以实现博物与环境的生态关系的建立。中国的生态博物馆建设全景式地实践了这一过程,并且在早期的“六枝原则”中明确了这一理论。其在早期的生态表现中确立了博物与环境关系的经典范式,后期多元化生态表现中,还实现了生态学与生态博物馆的融合。The theoretical basis of Eco-museum is the establishment and expression of ecological relations.Main approach was to equate the community with the area of the Eco-museum display,and established signsin the area by displaying,which realize the establishment of the ecological relationship between natural history and environment.The construction of Eco-museum in China was a panoramic practice of this process,“LiuzhiPrinciples”had defined the idea in the early period.In other words,early ecology established the classical paradigm of the relationship between natural history and environment,Lateecology realized the integration of ecology and Eco-museum.

关 键 词：生态博物馆区域 生态关系 博物与环境 

分 类 号：G268.5[历史地理—考古学及博物馆学] C957[社会学—民族学]