情欲的现代言说——施蛰存《石秀》的形式创新与“新路”开拓  

The Modern Speech of Eros:The Formal Innovation and“New Path”of Shi Xiu by Shi Zhecun

作　　者：严靖[1] Yan Jing(Wuhan University)

机构地区：[1]武汉大学文学院

出　　处：《写作》2021年第4期83-91,共9页Writing

摘　　要：《石秀》代表了施蛰存在1930年代对创作“新的路径”的成功探索。通过对人物的心理活动尤其是性心理进行多方位的表现和探索,施蛰存将石秀改写成了英雄和凡人相结合的圆形人物。作品的表现手法借鉴了弗洛伊德精神分析学说,尤其着力刻画了石秀“本我”“自我”“超我”三重人格的矛盾冲突。与此同时,通过挖掘石秀的道德观念和情感结构的私人性,书写其情欲在自然性和社会性之间的冲突,施蛰存将石秀重塑成了一个具有非理性特征的青年武士。以施蛰存为代表的现代主义,与左翼文学一起标示了1930年代新文学的成熟。Shi Xiu represented Shi Zhecun's successful exploration of new creative paths in the 1930s.By exploring and express⁃ing the psychological activities of the characters,especially their sexuality,Shi Xiu was rewritten as one“Round Character”who was a combination of a hero and a mortal.This method of expression was a reference to Freudian psychoanalysis,and the text fo⁃cuses on the contradictions of Shixiu's triple personality of ego,self,and superego.At the same time,Shi Zhecun explored the private nature of Shixiu's moral concepts and emotional structure,and written about the conflict between naturalness and sociality of his passions,reshaping Shixiu into a young warrior with irrational characteristics.The modernism represented by Shi Zhecun,together with left-wing literature,marked the maturity of the new literature of the 1930s.

关 键 词：施蛰存 石秀 本事改编 形式 

分 类 号：H315[语言文字—英语]