中原乡土的精神实录与文化标本——重读周同宾乡土散文  

The Spiritual Record and Cultural Specimen of the Central Plains——Revisiting Zhou Tongbin’s Native Prose-style Essays

作　　者：郑新[1] ZHENG Xin(School of Chinese Language and Literature, Nanyang Normal University, Nanyang Henan 473061, China)

机构地区：[1]南阳师范学院文学院,河南南阳473061

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2021年第5期119-124,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

摘　　要：周同宾新时期的散文创作执着于南阳这个小盆地,用文字记录当地人的生存方式、思维方式、风俗习惯和性格心理。周同宾“我是农家子”的告白,蜕去了知识分子精英意识的粉彩,裸露出作家民间身份的真诚;洗去了迎合平民大众的浮躁喧嚣,保留住智者的思索本色。周同宾用他的乡土散文描画出中原乡村民间,它在广袤的黄土地上延展着自己滞重而实在的生存状态,点缀着色彩斑斓而又有规可循的风尚习俗,表演着自由、随意的艺术形式,按照独属于自己的一套价值观念和秩序法则在运行着,这是立足于农村的现代知识分子周同宾笔下呈现出的一个美丑共融、善恶交织、瑕瑜互见的复杂文化形态。周同宾乡土散文的观照方式与他所创造的文化空间高度契合,加上朴素自然的语言,共同组成了一片既单纯质朴又厚重沉郁的审美天地。Zhou Tongbin’s prose creation in the New Era is dedicated to Nanyang Basin,recording the mode of living,mode of thinking,manners and customs,personality and psyche of the locals.Zhou Tongbin’s self-confession that“I am a peasant son”positions himself away from elitist consciousness and exposes the sincerity of the writer’s folk identity.Besides,he refrains from catering to the impetuous noises and clamor of the common people while retaining the instinctive nature of thinking of the wise.Zhou Tongbin,in his native prose,paints a unique Central Plains rural landscape,which unfolds itself on a vast expanse of land,heavy yet real.This landscape is dotted with colorful yet regular customs and conventions,free and random art forms,all working in accordance with their own unique set of values and order.In his literary creation,Zhou depicts a complex cultural realm in which beauty and ugliness interweave,goodness and evilness intertwine,and merits and demerits interact.Zhou’s approach to prose creation is highly consistent with the cultural space he creates,and together with the simple and natural language,he creates an aesthetic world that is both simple and unadorned and heavy and profound.

关 键 词：周同宾 乡土散文 民间 

分 类 号：I207[文学—中国文学]