毛滂、谢逸词风貌析论  

Comparison of Mao Pang’s and Xieyi’s Ci Styles

作　　者：朱子愈 ZHU Ziyu(College of Literature,Nanjing Normal University,Nanjing Jiangsu 210024,China)

机构地区：[1]南京师范大学文学院,江苏南京210024

出　　处：《上饶师范学院学报》2021年第4期53-59,共7页Journal of Shangrao Normal University

摘　　要：毛滂与谢逸均为北宋末期的重要词人.虽同属“清旷”一派,其词作的总体面貌、思想内容、风格特色等仍然呈现出不同程度的差异.总的来说,毛滂词的面貌较为复杂,主要描写夫妻之爱与羁旅悲情.风格沉郁,想象奇特.多笔触细腻的静态描写,善于营造安静幽谧的清冷之境,有连绵低回之思.谢逸词的面貌较为纯净,主要描写“花间”式的恋情与闲适的隐逸生活.风格朗畅,笔触轻盈,多自然潇洒的动态描写,善于营构明净疏秀的清美画面,有目不暇接之势.Mao Pang and Xie Yi both were important poets in the late Northern Song Dynasty. Although they both belong to the school of "Qingkuang", their Ci writings are different in terms of overall style, ideological content, and style characteristics. Generally speaking, Mao Pang’s Ci writings are relatively complex, mainly describing the love between husband and wife and the misery of imprisonment. The style is sombre and the imagination is peculiar. There are many static descriptions with delicate strokes, which are used to create a quiet and cold environment, and has the meaning of continuous and lingering thoughts. Xie Yi’s Ci writing are relatively pure, mainly describing the love between flowers and the leisure seclusion life. The style is clear and the strokes are light. There are many natural and unrestrained dynamic descriptions, which are used to construct a clear, clean, sparse and beautiful picture, with dizzying potential.

关 键 词：毛滂 谢逸 比较 宋词 

分 类 号：I207.23[文学—中国文学]