《欲望九面向》中的共同体叙事  

On the Community Narrative in 9 Parts of Desire

作　　者：赵永健[1] 余美[1] Zhao Yongjian;Yu Mei(the School of Foreign Languages,Zhejiang Gongshang University,Hangzhou,China,310018)

机构地区：[1]浙江工商大学外国语学院

出　　处：《当代外国文学》2021年第3期45-52,共8页Contemporary Foreign Literature

基　　金：浙江省哲学社会科学规划项目“英美后‘9·11’戏剧的政治书写研究”(19NDJC195YB)的阶段性成果。

摘　　要：希瑟·拉弗的《欲望九面向》是当代美国阿拉伯裔戏剧中的佳作。该剧以多角色单人剧形式,从女性视角出发,真实地表现了伊拉克女性在男权暴力和战争乱局中的悲惨处境和不屈精神,批判了伊拉克的男权统治和美国的帝国意识形态,有力地消解了西方主流社会对阿拉伯女性的文化刻板印象,艺术地完成了对"女性共同体"、"民族共同体"和"观演共同体"的建构。由于该剧别具特色的叙事策略、表演形式和观演关系,剧中人物的共同体意识得到生动的美学再现,表现出较强的艺术感染力,成为当代美国阿拉伯裔戏剧叙事中的典范。Arab American playwright Heather Raffo’s play 9 Parts of Desire is a representative post-9/11 dramatic work.From the unique perspective of Iraqi-American women,the play artistically and truthfully represents the tragic situation and indomitable spirit of Iraqi women in face of male violence and international war.With this work Raffo seeks to dispel the stereotype of Arab women in mainstream Western culture and criticize the two Gulf Wars waged by the United States.As a result,it successfully constructs a"women’s community",a"national community"and a"performer-audience community"through a group of Iraqi characters.The unique narrative strategy,performative mode and performer-audience relationship enable the play to effectively represent the community awareness of its characters,which renders the work a perfect example of contemporary Arab-American drama.

关 键 词：美国阿拉伯裔戏剧 希瑟·拉弗 《欲望九面向》 共同体叙事 

分 类 号：I712.073[文学—其他各国文学]