银幕新人的生成——电影《李双双》再解读  

Generating New Characters of Silver Screen:Reinterpreting Li Shuangshuang

作　　者：张冰[1] ZHANG Bing(School of Chinese Studies,Zhejiang International Studies University,Hangzhou 310023,China)

机构地区：[1]浙江外国语学院中国语言文化学院,杭州310023

出　　处：《上海大学学报（社会科学版）》2021年第4期50-64,共15页Journal of Shanghai University(Social Sciences Edition)

摘　　要：电影《李双双》塑造的女主人公李双双,以其大公无私、美丽爽朗的形象成为社会主义时期银幕新人的代表。影片中李双双的政治意识以一种浑融自然的方式表达出来,并以涵容民间公义、情理的方式来发挥作用,从中可见出,乡村传统的道德伦理、情感结构和生活经验在新人的主体生成中扮演着重要的角色。李准将敢于斗争和“不记仇”的性格赋予李双双,创造出一种理想化的主体形态。喜旺则代表着农业合作化运动中大多数农民的状态,通过“先结婚后恋爱”,转变为更加符合农业合作化运动要求的主体,而双双也和喜旺建立起一种更为平等的夫妻关系。在新人的塑造过程中,编剧、导演与演员之间形成了一定的张力,从中亦能够看到上海电影传统与延安电影传统的对话与冲突。Li Shuangshuang,the selfless,beautiful and candid heroine of the film Li Shuangshuang,became a representative of new characters produced during the initial socialist period of China.In the film,Li Shuangshuang’s political consciousness is spontaneously integrated into farmers’daily life and works in coordination with folk justice and common senses.Thus,in generating such a new character,traditional moral ethics,emotional structures and life experience in rural areas all play an important part.Under the pen of the screenwriter Li Zhun,Li Shuangshuang is depicted as courageous to fight and“generous to forgive”,an ideal type with new socialist subjectivity.Xiwang,on the other hand,represents an image of most farmers in the agricultural cooperative movements.Through the storyline of“getting married first and then falling in love”,Xiwang gradually turns to be a subject more in line with the requirements of the agricultural cooperative movement.In the marriage with Xiwang,Shuangshuang is depicted as a more equal partner compared with a traditional wife image.In the generation of the new characters with socialist subjectivity,certain tensions between the screenwriter,director,and performers arise,so do dialogues and conflicts between Shanghai and Yan’an film style.

关 键 词：《李双双》 社会主义新人 农业合作化运动 李准 鲁韧 

分 类 号：J906[艺术—电影电视艺术]