从世情书到风俗画——滕肖澜、上海故事与市民文学的传承  

From the Book of Worldly Affairs to Genre Painting:Teng Xiaolan,Shanghai Stories and the Legacy of Civil Literature

作　　者：刘大先[1] Liu Daxian

机构地区：[1]中国社会科学院民族文学研究所,北京100732

出　　处：《中国文学批评》2021年第3期21-28,157,共9页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金重大项目“社会主义文学经验和改革开放时代的中国文学研究”(19ZDA277)阶段性成果。

摘　　要：市民小说是城市文学中最为重要的一个部类,然而在现代文学以来的文学史叙述中却处于边缘位置。滕肖澜以其上海当代故事的书写尤其是近作《心居》,显示了对中国传统"世情书"以及法国"风俗史"小说从观念到手法的继承与创变,是市民文学在当下的呈现形态。此个案显示出20世纪90年代伴随着市场经济改革而来的"新市民小说"的新变,尽管同样聚焦于日常生活,却区别于"新生代""晚生代"或者"新写实主义",而带有传统伦理观念与消费社会世俗化相融合的特点,具有本土"风俗画"与心灵史的特质。Teng Xiaolan’s contemporary Shanghai stories,especially her recent work Heart’s Dwelling(Xinju),shows both inheritance from and innovation of the traditional Chinese"book of worldly affairs"and the French"history of customs"fiction from concept to method,which is a contemporary form of civil literature.This case shows the innovation of the"new civil fiction"that came along with the market economy reform in the 1990 s.Despite the focus on daily life,it is different from the works of the"New Generation,""Late Generation,"or"New Realism,"and is characterized by the fusion of traditional ethical concepts and the secularization of consumer society,with the qualities of local"genre painting"and spiritual history.

关 键 词：世情小说 风俗史 城市文学 市民小说 

分 类 号：I207.42[文学—中国文学]