从绵竹年画看川西文化  

Observatio on Wester Sichuan Culture from Mianzhu City’s New Year’s Paintings

作　　者：陈涛[1] Chen Tao(Sichuan Engineering Technical College,Deyang,Sichuan,618000,China)

机构地区：[1]四川工程职业技术学院艺术系,四川德阳618000

出　　处：《装备制造与教育》2021年第3期52-55,共4页Equipment Manufacturing and Education

摘　　要：民间年画本质上是记录人类精神生活和社会实践的物质载体。本文主要论述绵竹年画的题材内容、表现形式、风格,探讨绘画艺术表现与人文文化的关系、以及在新时代绵竹年画如何更好地传承和发展。Folk new year painting is essentially a material carrier to record human spiritual life and social practice.This paper mainly discusses the subject matter content,expression and style of Mianzhu City’s New Year Painting,discusses the relationship between the artistic expression of painting and human culture,and how to better inherit and develop Mianzhu City’s New Year Painting in the new era.

关 键 词：绵竹年画 川西文化 美化装饰 文化传承 

分 类 号：J528[艺术—艺术设计] J218.3