莱辛《拉奥孔》诗画之界的深度耕犁  

Hard Work on the Boundary between Poetry and Painting of Lessing's Laocoon

作　　者：乔钰茗 QIAO Yuming(Department of Literature, University of Chinese Academy of Social Sciences, Beijing 102400, China)

机构地区：[1]中国社会科学院大学文学系,北京102400

出　　处：《沈阳大学学报（社会科学版）》2021年第5期564-568,585,共6页Journal of Shenyang University:Social Science

基　　金：国家社会科学基金重大项目“中国新媒介文艺研究”(18ZDA282)。

摘　　要：分析了《拉奥孔》这部在西方美学史及文艺批评史上具有典型意义的著作中所表达的诗画界限思想。探索了莱辛对诗画界限问题的具体表述:与绘画相比,诗歌的表现力更为广阔也更为优越。认为这一观点在现今仍然可以帮助人们解决许多在阅读及审美活动中可能遇到的问题,对研究、解读新媒介及新时代形势等具有极大的指导意义。This article analyzes the poetry and painting boundary thought expressed in the classic work Laocoon in the history of Western aesthetics and literary criticism.It explores Lessing's specific expression of the boundary between poetry and painting:compared with painting,poetry is more expressive and superior.It believes that this view can still help people to solve many problems that they may encounter in reading and aesthetic activities,and has great guiding significance for the research and interpretation of new media and the situation in the new era.

关 键 词：莱辛 《拉奥孔》 诗与画界限 表现特征 

分 类 号：J30-05[艺术—美术]