武侠影视作品人物形象嬗变背后的“江湖”逻辑  

The Logic of“Jianghu”behind the Evolution of the Characters in Martial Arts Films and TV Dramas

作　　者：彭伟文 PENG Weiwen

机构地区：[1]浙江师范大学文化创意与传播学院,浙江金华321004

出　　处：《民俗研究》2021年第5期58-72,159,共16页Folklore Studies

摘　　要：以金庸剧为代表的武侠剧中人物形象的多元化现象,是随着武侠片制作在香港正式起步,大量在武馆修习武术的武林中人参与其中,抓住粤语功夫武侠片在市场大行其道的机会,将武术从现实送上银幕,发展武侠剧制作技术,使演员无需任何武术基础便能够饰演武侠人物的结果。但是,金庸剧人物形象自由多变,虽然受惠于粤语武侠片发展过程中积累下来的武侠剧制作技术,实际上表现的是文人的价值观和世界观,遵循商业社会的运作规则,两者的"江湖"逻辑是不同的。The diversification of the characters in swordplay films and TV dramas represented by adaptions of Jin Yong’s novels is the result of participation of a large number of martial arts practitioners who practiced martial arts in the martial arts club when swordplay films formally started in Hong Kong.The market has a huge opportunity to bring martial arts from reality to the screen and develop swordplay drama production technology,so that actors can play martial arts characters without any martial arts skill.However,characters in films and TV dramas adapted from Jin Yong’s novels are free and changeable.Although they benefit from the swordplay drama production skills accumulated during the development of Cantonese swordplay films,they actually express the values and world outlook of the literati and follow the operating rules of the commercial society.They have different logics with primitive swordplay films.

关 键 词：武侠剧人物形象 嬗变 “江湖”逻辑 

分 类 号：J905[艺术—电影电视艺术]