宋代文人集会茶画中茶器色彩的图像解读  

Image Interpretation of Teaware Color in Tea paintings of Literati Gathering in the Song Dynasty

作　　者：邓莉文[1] 陈曼玉 戴向东[1] Deng Liwen;Chen Manyu;Dai Xiangdong

机构地区：[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004

出　　处：《家具与室内装饰》2021年第10期14-17,共4页Furniture & Interior Design

基　　金：湖南省2019普通高校教学改革项目“色彩设计事理教学中课题驱动教学法的探索与实践”,湘教通(2019)291号文件。

摘　　要：宋代茶器是我国茶器史上不可忽视的篇章,宋代文人集会茶画直观且真实地再现了集会中的茶器。本文以宋代文人集会茶画中的茶器为研究对象,用图像学分析法,图像与史料、文物的对比研究法,总结出宋代文人集会茶画中的茶器:首先表现出以尚玉崇青的青白瓷、道用相彰的黑色瓷、彰显材质本色的竹木石茶器为主流的特征;其次剖析出受儒释道的影响,宋代文人群体对茶器色彩趋向文雅、素淡、简致的审美;第三揭示出宋代文人受时下理学“备物致用”思想影响,在时代经济与技术的保障下,茶器的功能与色彩得以实现。Teaware in the Song Dynasty is a chapter that can’t be ignored in the history of teaware in China.Tea paintings of literati gathering in the Song Dynasty intuitively and vividly represent teaware in the gathering.Taking teaware in the tea paintings of literati gathering in the Song Dynasty as the research object,this paper applies methods of iconography analysis and comparative study of images,historical materials and cultural relics to interpret the teaware in tea paintings of literati gathering in the Song Dynasty:first of all,it shows the characteristics of green and white glazed porcelain advocating jade and cyan,black porcelain reflecting Taoist aesthetics and practicality,and bamboo,wood and stone teaware showing the true color of materials;secondly,it analyzes that influenced by Confucianism,Taoism and Buddhism,the literati in the Song Dynasty tended to appreciate the elegance and simplicity of teaware color;thirdly,it reveals that as the literati in the Song Dynasty were influenced by the thought of“preparing things for use”in Neo-Confucianism,the teaware’s function and color got achieved under the guarantee of the economy and technologies of the times.

关 键 词：宋代 文人集会 茶画 茶器色彩 

分 类 号：J206.1[艺术—美术] J206.3