道德叙事与当下文学关系论——以《人世间》与《牵风记》为中心  

On the Relationship between Moral Narration and Contemporary Literature——Focusing on The World and A Tale of the Wind

作　　者：王潇 WANG Xiao(Liaoning University,Arts College,Shenyang 110136,Liaoning,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《喀什大学学报》2021年第4期71-76,共6页Journal of Kashi University

摘　　要：当下文坛重建道德叙事的趋向,既承载着传统伦理现代转换的现实寄托,又担负着道德理想主义与道德必然主义的评骘重担。与此同时,当下文学突围道德叙事的路径,主要包含着道德理想主义叙事与道德必然主义叙事两种范式,而我们对这两种叙事范型进行“自我批判”,不仅可以探寻出道德叙事如何基于历史与现实语境,构建起浸润着人性思索与历史体验的文学典型,而且可以成为道德叙事在共时与历时的语境中进行文学经验对话的现实基础。At present,the tendency of reconstructing moral narrative in literary circles not only bears the realistic reposing of the modern transformation of traditional ethics,but also bears the heavy burden of evaluating the stallion of moral idealism and moral inevitability.At the same time,the way to break through the moral narrative in contemporary literature mainly includes two paradigms:moral idealist narrative and moral inevitability narrative,and we"self-criticism"these two narrative paradigms,not only can we find out how the moral narrative based on the historical and realistic context constructs a literary model that is steeped in human nature thinking and historical experience,and it can be the realistic basis of the dialogue between moral narration and literary experience in synchronic and diachronic context.

关 键 词：道德叙事 道德理想主义 道德必然主义 《人世间》 《牵风记》 

分 类 号：I206.7[文学—中国文学]