试论浮世绘《月百姿》中的中国文化元素  

On the Chinese Cultural Elements in the Ukiyo-e of Tsuki Hyakushi

作　　者：丁纯怡 Ding Chunyi(National Museum of China,Bejing,10006)

机构地区：[1]中国国家博物馆,北京100006

出　　处：《博物院》2021年第4期82-92,共11页Museum

摘　　要：中国国家博物馆收藏的百幅《月百姿》系列版画是日本著名浮世绘画师月冈芳年晚年的代表作,亦是浮世绘历史上的重要作品,具有独特的审美意趣与文化内涵。本文以剖析月冈芳年的生平及其所处的时代背景为基础,对《月百姿》中源自中国神话、唐诗、明清通俗文学典故的作品展开详细探析,进而对《月百姿》中可见的明治维新时期中日文化交流做尝试性考察。The series of Japanese woodblock prints Tsuki Hyakushi(One Hundred Aspects of the Moon)collected by the National Museum of China are the representative works of the famous Japanese Ukiyo-e painter, Tsukioka Yoshitoshi, in his later years. They are also one of the important works in the history of Ukiyo-e, which have unique aesthetic interests and cultural connotations. Based on the analysis of the life of Tsukioka Yoshitoshi and the background of the times in which he lived, this article makes a detailed analysis of the works derived from Chinese mythology, Tang poetry and popular literature of Ming and Qing Dynasties, and makes a tentative investigation of the cultural exchanges between China and Japan in Meiji Restoration period.

关 键 词：浮世绘 中国国家博物馆 月冈芳年 《月百姿》 中国文化元素 

分 类 号：J217[艺术—美术]