时间倒错下的艺术世界——论《一日长于百年》的叙事艺术  

The Art World with Chronological Disorder——A Narratological Study of The Day Lasts More than a Hundred Years

作　　者：罗璠[1] 文坤怿 LUO Fan;WEN Kun-yi(School of Chinese Language and Literature,Hainan Normal University,Haikou 571158,China)

机构地区：[1]海南师范大学文学院,海南海口571158

出　　处：《湖南大学学报（社会科学版）》2021年第5期96-101,共6页Journal of Hunan University(Social Sciences)

基　　金：海南省院士创新平台科研专项:“一带一路”倡议进程中中俄文化互动现状及前景研究(YSPTZX202039);海南省社会科学基金项目:1917-1949年中国现代主义小说美学特征研究(HNSK18-10)。

摘　　要：《一日长于百年》叙述了卡萨-奥捷卡小镇上村民们的历史、现实和未来,从对村民历史和生活的叙述中折射出宏大的宇宙关怀和人文哲思,这种效果主要得益于作者对叙事时间的精确掌握。艾特玛托夫交替使用倒叙和预叙建构出了自己独特的时间倒错艺术,在倒叙上,作者继承借鉴西方叙事传统,在人物回忆中逐渐叙述出小镇的历史过往以填补故事时间的空白;在预叙上,作者借助读者的阅读审美感受构成完整的叙事模式,表现出对西方叙事传统的超越和创新。The Day Lasts More than a Hundred Years is the book which describes the story about the villagers in the small town and reflected the great cosmo care and the humanity enlightenment by the description of the villager's history and life.The effect is mainly due to the author's accurate grasp of narrative time.The author created his own art world by using narrative techniques such as analepsis and prolepsis,which not only inherits and draws lessons from the western narrative tradition,but also has its own transcendence and innovation.

关 键 词：时间倒错 预叙 倒叙 

分 类 号：I106.4[文学—世界文学]