贵州苗族蜡染生产性保护实践  

Practice of Productive Protection of Miao Batik in Guizhou

作　　者：李隆虎 陈玥锟[1] LI Long-hu;CHEN Yue-kun(Guizhou Normal University,Guiyang,Guizhou,550025,China)

机构地区：[1]贵州师范大学国际旅游文化学院,贵州贵阳550025

出　　处：《凯里学院学报》2021年第4期1-9,共9页Journal of Kaili University

摘　　要：“生产性保护”是保护非物质文化遗产的一种特殊方式,其旨在借助市场的力量,激发非遗传承的内生动力。作为一种实用性极强的民间手工艺,贵州苗族蜡染和其他传统手工艺一样受到社会转型的巨大冲击,面临严峻的传承危机。经由市场化转型与“生产性保护”,贵州苗族蜡染不仅为提高传承人收入水平和促进地区经济发展做出了积极的贡献,还为解决农村“留守”问题,提高妇女社会地位起了极大的推动作用。Productive protection is a special way to protect intangible cultural heritage,which aims at stimulating the endogenous power of inheritance of intangible cultural heritage with the help of the market.As a highly practical folk handicraft,Guizhou Miao batik,like other traditional handicrafts,has been greatly impacted by the social transformation and faces a severe inheritance crisis.Through market-oriented transformation and productive protection,Guizhou Miao batik has not only made positive contributions to improving the income level of inheritors and promoting regional economic development,but also played a great role in solving the problem of“left-behind”in rural areas and improving women’s social status.

关 键 词：非物质文化遗产 苗族蜡染 生产性保护 

分 类 号：J523[艺术—艺术设计]