架构:深圳坪山美术馆的空间生产 一次源于对谈的评论  

The Structural:Spatial Production of the Pingshan Art Museum A Review Arising from a Conversation

作　　者：张宇星 ZHANG Yuxing

机构地区：[1]深圳大学建筑与城市规划学院 [2]趣城工作室

出　　处：《时代建筑》2021年第5期94-105,共12页Time + Architecture

摘　　要：从巨构到架构,深圳坪山美术馆经历了八个月的设计修改过程。最终的实施方案虽然并不能体现建筑师联合体一开始的设计理念,但由于董功采用了某种架构性策略,让坪山美术馆获得了意想不到的弹性。进一步,架构生长出城市社会空间,高质量的展览活动让美术馆获得了公共性和社会性;架构生长出建筑本体空间,美术馆像一棵树一样敏感地映射了外部世界;架构生长出场地精神空间,人和场地的珍贵关系,从空间中一一显影出来。From the megastructure to the structural,the Pingshan Art Museum has gone through a series of design revisions that took over eight months.The final implementation doesn’t necessarily embody the initial design concept set by the coalition of participating architects.However,through Dong Gong’s strategy of the structural,the Pingshan Art Museum has in turn achieved unexpected suppleness.Furthermore,the structural enables urban social space,with high-quality exhibitions generating publicness and socialness for the Art Museum;the structural enables architectural space and the Art Museum is perceptively mirroring the outside world like a tree;the structural enables the site as a spiritual space,which gradually revealed the precious relationship between the human and the site in the space.

关 键 词：董功 坪山文化聚落 坪山美术馆 架构 城市社会空间 建筑本体空间 场地精神空间 

分 类 号：TU-86[艺术—艺术设计] TU-265[建筑科学—建筑设计及理论]