二战后英国女性实验小说的创作特征  

On Creative Features of British Female Experimental Novels after World War Ⅱ

作　　者：张若昕 Zhang Ruoxin(College of Foreign Languages,Shenyang Normal University,Shenyang Liaoning 110034)

机构地区：[1]沈阳师范大学外国语学院,辽宁沈阳110034

出　　处：《沈阳师范大学学报（社会科学版）》2021年第5期78-83,共6页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金项目(L15BWW008)。

摘　　要：20世纪的两次世界大战对英国的影响很大。二战后的英国文学创作,尤其是小说创作经历了一系列的发展和变化。从现代主义、现实主义回潮到后现代主义的转变,小说创作焕发出了更为强大的生命力,其中女性实验小说作为后现代主义小说创作的新代表,发展尤为迅猛。多丽丝·莱辛、艾丽丝·默多克、简·里斯和玛格丽特·德拉布尔等女性作家在她们的作品中都对传统小说的叙事形式进行了颠覆和实验创新。有必要以后现代主义叙事理论为依据,对《金色笔记》《黑王子》《藻海无边》《瀑布》4部小说进行文本细读和比较研究,从叙事视角、文体结构和写作技巧等方面梳理出这几位女性作家小说中的实验特征,从而挖掘二战后英国女性实验小说的发展脉络。The two world wars in the 20th century had great influence on Britain and after World War Ⅱ,literary creation,especially novel creation experienced a series of development and changes.From modernism,the resurgence of realism to postmodernism,novel creation has radiated a more powerful vitality,among which the female experimental novels,as a new representative of postmodernism novel creation,develop rapidly.Doris Lessing,Alice Murdoch,Jean Rhys and Margaret Drabble all subvert and innovate the narrative form of traditional novels in their works.Based on the postmodernist narrative theory,this study analyzes the experimental features of the four novels,namely,the Golden Notebook,the Black Prince,the Wide Sargasso Sea and the Water fall from the perspectives of narrative perspective,style and writing skills so as to explore the characteristics of the experimental novels of British female writers after World WarⅡ.

关 键 词：英国女性小说家 实验小说 叙事策略 

分 类 号：I106.4[文学—世界文学]