论《木兰花慢》的词调演变及声律特征  

On the Tone Evolution and Rhythmic Characteristics of Slow Tune of Magnolia

作　　者：石佳彦 朱惠国[1] SHI Jiayan;ZHU Huiguo(Department of Chinese Literature,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《南阳师范学院学报》2021年第5期38-45,共8页Journal of Nanyang Normal University

基　　金：国家社会科学基金重大项目“明清词谱研究与《词律》《钦定词谱》修订”,项目编号:18ZDA253。

摘　　要：《木兰花慢》为北宋柳永首创,是借唐五代令词的旧名,重新翻演而成的新曲,在两宋时期颇为流行。此调所涉及的题材、用韵十分广泛,且存在不少韵部通押的情况。在两宋体式中,以柳词格式最为规范。《木兰花慢》于上下片句中暗押三个短韵,且含有不少特殊句式。而在宋代实际创作中,脱韵现象十分普遍。韵位前后的字句也有所变动,有改作律句的倾向。与柳永原词相较,反映了词调在声律上的演变过程。Slow Tune of Magnolia was first created by Liu Yong in the Song Dynasty.It was a new song re-enacted based on the old name of the Songs in the Tang Dynasty and the Five Dynasties,which was very popular in the Song Dynasty.This tune involves a wide range of themes and rhymes,and there are many cases where the rhyming part can be used.Among the styles of the Song Dynasty,the format of LiuYong’s Ci is the most standard.Slow Tune of Magnolia implies three short rhymes in the upper and lower sentences,and containes many special sentence patterns.However,in the actual creation of Song Dynasty,the phenomenon of de-rhyme was very common.The words and sentences before and after the rhyme position were also changed,and there was a tendency to change them into the rhythm sentences.Compared with the original words of Liu Yong,it reflects the evolution process of the intonation in melody.

关 键 词：《木兰花慢》 柳永 词调 

分 类 号：I207.23[文学—中国文学]