马雅可夫斯基与郭小川革命诗歌之比较  

Comparison of revolutionary poetry betweenВ.Маяковскийand Guo Xiaochuan

作　　者：傅其林 王琨岚 Fu Qilin;Wang Kunlan

机构地区：[1]四川大学文学与新闻学院 [2]四川大学吴玉章学院,四川成都610064

出　　处：《中华文化论坛》2021年第5期115-125,159,共12页Journal of Chinese Culture

摘　　要：马雅可夫斯基与郭小川的革命诗歌在追求独创性诗思的路径、诗歌意象所显露出的诗风、语言广泛的艺术表现力等方面同中有异。两位诗人的作品最大限度地让语言接近观感、让读者真切地感受物象存在的震颤与情感的律动。其差异在于:马雅可夫斯基的诗歌反叛文化权威,以独特的语言生产,运用线条与阶梯式排列,体现出造型艺术之美;郭小川的诗歌承旧见新,以兴发感动的唯美意象,拓展了旋律的韵动与乐章式排列,体现出音乐之韵。There are both similarities and differences of the revolutionary poems betweenВ.Маяковскийand Guo Xiaochuan in such aspects as the path of pursuing poem originality,the poetic style reflected in poetic image,and the extensive artistic language expression.The two poets’works enable readers to actually feel the language,the existence,and affection to the largest extents.As for differences,the poems ofВ.Маяковскийare against cultural authority,adhere to the unique language production theory,and adopt lines and cascade arrangements to show the beauty of formative arts;and the poems of Guo Xiaochuan bring forth the new through the old,create the roused and sensed beautiful images,and extend the movement and arrangement of melodies to show the rhythm of canorous poetry.

关 键 词：马雅可夫斯基 郭小川 革命诗歌 

分 类 号：I206[文学—中国文学]