“从传承到嬗变”——朱践耳20世纪80年代后交响曲中十二音序列技法研究  

From Inheritance to Evolution——Research on twelve tone sequence technique of ZhuJianer’s symphonies after 1980s

作　　者：周国歧 Zhou Guoqi

机构地区：[1]镇江高等专科学校师范学院,江苏镇江212028

出　　处：《滁州学院学报》2021年第4期62-66,共5页Journal of Chuzhou University

摘　　要：朱践耳在20世纪80年代之后创作了十部交响曲,有六部交响曲是针对于十二音序列技法“中国化”运用和“开创性”发展,在我国近现代作曲技法领域中起到范本作用。他的这一技法技术将指导我国当代作曲家们的创作并从中获得启发,其中十二音序列技法的“传承嬗变”是研究契点。Zhu Jianer composed ten symphonies after the 1980s.These works are aimed at the“sinicization”application and“groundbreaking”development of the twelve-tone sequence technique,which plays an exemplary role in the field of modern and contemporary composition techniques in China.His technique will guide the creation of contemporary composers in our country and obtain inspiration from it.Among them,“inheritance and evolution”of the twelve-tone sequence technique is the research point of this paper.

关 键 词：朱践耳 有限移位法 本土母语化 嬗变 第二次解放 结构力 

分 类 号：J614[艺术—音乐]