柳永词用调数量和成就的统计分析  

A Statistical Analysis of Quantity and Achievements on Liu Yong’s Ci-Poetry Tunes

作　　者：刘尊明 Liu Zunming(School of Humanities,Shenzhen University)

机构地区：[1]深圳大学人文学院

出　　处：《中文论坛》2021年第1期51-71,共21页Forum of Chinese Language and Literature

基　　金：国家社科基金项目“以词调为中心的唐宋词体与词史研究”(项目编号:12BZW035)。

摘　　要：柳永存词共213首,凡用142调。沿用唐五代及宋初已有旧词调仅18调,首见和创始于柳永的新调共124调;小令为22调,中调有40调,长调占80调。定量分析显示,柳永用调创调的总体成就主要体现在以下四个方面。用调总数名列两宋词人首位,与吴文英并列第一;用调体现出继承与创新兼备而以创新为主的成就与特色;用调也体现了体式丰富多样而以长调慢词为主体的鲜明特色;创作也显现出更注重创调用调的意识与实践。There are 213 Liu Yong’s Ci-Poetry,all with 142 tunes.Only 18 old tunes were from the Tang Dynasty,the Five Dynasties and the beginning of Song Dynasty,and 124 new tunes were created by Liu Yong;with 22 xiaoling tunes,40 middle tunes,and 80 long tunes.Quantitative analysis shows that Liu Yong’s overall achievements in tune creation are mainly reflected in the following four aspects.First,Liu Yong’s total number of tunes ranks first in the Song Ci-poets,ranking first with Wu Wenying;second,Liu Yong’s use of tunes reflects achievements and characteristics of both innovation and inheritance;third,Liu Ci’s tunes also reflects the distinctive characteristics of rich and diverse forms with long tunes and slow words as the main body;fourth,Liu Ci’s creation also shows more emphasis on innovation of tunes and awareness and practice of using tunes.

关 键 词：柳永 用调 定量分析 

分 类 号：I20[文学—中国文学]