《最后一盘录音带》的叙事风格与叙事结构  

The Narrative Style and Narrative Structure of Krapp's Last Tape

作　　者：周雪婷 王之 李钦君[1] 于利平[1] ZHOU Xue-ting;WANG Zhi;LI Qin-jun;YU Li-ping(School of Drama,Shandong University of Arts,Jinan 250300,China)

机构地区：[1]山东艺术学院戏剧学院,济南250300

出　　处：《淮阴工学院学报》2021年第4期47-51,共5页Journal of Huaiyin Institute of Technology

基　　金：山东省艺术科学重点课题(201806028)。

摘　　要：塞缪尔·贝克特在他的单人剧《最后一盘录音带》中延续了他以往“人生无意义”的主题与风格。在这部戏中,贝克特借助录音机与磁带,开辟了另外一个时空——回忆的时空。剧中人克拉普的三个阶段借助录音机在舞台上得以复现。贝克特巧妙地将“戏中戏”的结构放置在单人剧中,也借此深化了重复、无意义的主题。Samuel Beckett continues his theme and style:life is meaningless in his monodrama Krapp's Last Tape.Beckett opened up another space-time,that of memory with the help of a recorder and tape in this play.Krapp's three stages are revived on stage by the recorder.The structure of“play in play”is tactfully placed in the monodrama,which also deepens the topic of repetition and meaninglessness.

关 键 词：单人剧 塞缪尔·贝克特 叙事 元戏剧 

分 类 号：J805[艺术—戏剧戏曲]