由传统纹样装饰到现代笔墨写意:瓷画新探  

From Traditional Pattern Decoration to Modern Freehand Brushwork: A New Exploration of Ceramic Painting

作　　者：潘丰泉[1] PAN Fengquan(Art College of Xiamen University,Xiamen,Fujian,361005)

机构地区：[1]厦门大学艺术学院,福建厦门361005

出　　处：《艺术生活》2021年第3期63-68,共6页Art & Life

摘　　要：作为日常生活用品之一陶瓷用具,在考虑其实用功能的同时,历来对外观的美化十分重视。经长期不断的探索,从早期粗率简略到后来几经的细丽华彩,瓷画艺术在革新中图变、发展。随着人们生活水平逐步提高,文化精神需求与日俱增。瓷画,也由先前较为工细一路的花纹图案装饰,到如今转化为通过对写意艺术的借鉴,及时融入时尚审美元素,以及不同于过去由职业画工画画,今天则是大批院校教师画院画师等如此专业化人员的热情参与表现,在创作手法及形式语言的探索方面,极大拓展和丰富了瓷画艺术的表现空间。As one of the daily necessities, ceramic utensils have always attached great importance to the beautification of appearance while considering its practical functions. Perhaps this is the origin of ceramic painting art. After a long period of continuous exploration, from the early cursory to the later exquisite, the art of ceramic painting changes and develops in the process of innovation. With the gradual improvement of people’s living standards and the growing demand for cultural spirit, ceramic painting has been transformed from the previous meticulous pattern decoration to the timely integration of fashion aesthetic elements through the reference to freehand brushwork. It used to be completed by commercial painters,while now a large number of professionals such as teachers and painters from academies of fine arts actively get involved in creating it. In the exploration of creation techniques and form languages, the performance space of ceramic painting art has been greatly expanded and enriched.

关 键 词：陶瓷画 青花瓷 工细与写意 

分 类 号：J527[艺术—艺术设计]