杜甫长律艺术探析  

On the Art of Du Fu’s Long Regulated Verse

作　　者：张钊 ZHANG Zhao

机构地区：[1]北京大学中国语言文学系,100871

出　　处：《杜甫研究学刊》2021年第3期41-48,共8页Journal of Du fu Studies

摘　　要：相比于同时代的诗人,杜甫特别着力长律一体。但前人在重古轻律的文体尊卑观念下,对于杜甫长律艺术成就的认识,基本止于“以古入律”,而未能注意到杜甫对于长律本身的艺术特性做的多方面的探索,发展出了独属于此体的“一联承转”“硬转直接”“笔带双锋”等章法,并力图在这种跳跃性更强的章法中保持深层意脉的连贯,使得此体的概括力和抒情性较之五古有了极大提升,长律也因此代替五古而成为诗人晚年长篇咏怀之作的主要体裁。Compared with the poets of the same period,Du Fu puts his special emphasis on long regulated verse.However,under the predecessor’s stylistic respect to ancient style poetry,recognition of Du Fu’s artistic achievements in long regulated verse basically limited to his learning from ancient style,and failed to notice his exploration into the artistic characteristics of long regulated verse.Du Fu’s exploration in that aspect has developed his poetic characteristics,and the coherence among the continuity of ideas in this more leaping style.As a result,the generality and lyricism of this style have been greatly improved compared with the five-character poems of ancient style,and long regulated verse has therefore taken the place of the five-character poems of ancient style as the main genre of poet’s long chants in his later years.

关 键 词：杜甫 长律 排律 诗歌艺术 

分 类 号：I207.22[文学—中国文学]