《白蛇2:青蛇劫起》:中国动画电影的类型探索与制作体系建构——黄家康访谈  

Genre Exploration and Production System Construction of Chinese Animated Films: An Interview with Huang Jiakang, Director of Green Snake

作　　者：黄家康(受访) 刘佳(采访)[2] 於水(采访)[3] Liu Jia;Yu Shui

机构地区：[1]不详 [2]北京师范大学艺术与传媒学院 [3]北京航空航天大学新媒体艺术与设计学院动画系

出　　处：《电影艺术》2021年第5期77-83,共7页Film Art

摘　　要：《白蛇2:青蛇劫起》与前作《白蛇:缘起》相比,在影片类型、影像风格方面有了较大的变化。围绕动画电影类型和世界观的构建、技术迭代和团队成长、动画影像和造型设计、工业化生产的探索与实践等,黄家康展开深入的阐述。他认为,动画电影的类型、影像风格、叙事方式都不应囿于传统范式,而应该在各方面勇于变化,通过创作和技术迭代,不断挑战与创新。他同时对中国动画电影的观众、工业化体系、产业的未来发展做了较为独到和客观的表述。Compared with the previous film White Snake, Green Snake has great changes in visual images. This interview focuses on the these topics: construction of animated film genre and world outlook, technical iteration and team growth, animated image and character design, exploration and practice of industrial production. Huang Jiakang believes that the audience is changing. Film genre, image style and narrative mode of animated films should not be limited to the traditional form, but should constantly innovate and change in all aspects. At the same time, he made an original and objective expression on the audience of animation film, industrialization system and future development direction of China’s animation film industry.

关 键 词：动画电影类型 影像风格 技术迭代 生产体系 工业化 

分 类 号：J95[艺术—电影电视艺术]