从《王的盛宴》和《思悼》看中韩历史片的创作差异  

On the Differences between Chinese and Korean Historical Films——Based on the Study of Two Film Texts of The Last Supper and The Throne

作　　者：张利 ZHANG Li(Zhejiang Yuexiu University,Shaoxing 312030,China)

机构地区：[1]浙江越秀外国语学院中国语言文化学院,浙江绍兴312030

出　　处：《浙江工商职业技术学院学报》2021年第2期30-33,共4页Journal of Zhejiang Business Technology Institute

摘　　要：同样深受东方儒家文化影响的中、韩两国,在当代电影创作中如何看待历史上的人物,以及如何表现历史上的人物,反映着两国历史观和艺术观的差异。可通过选取两国两个电影文本进行比较,通过对创作动机、叙事手法以及市场表现等差异的分析,揭示中韩两国导演在处理历史题材类型影片时各自的艺术表达和倾向。China and South Korea, which are also deeply influenced by the eastern Confucian culture, have their different historical and artistic views on how to treat the historical characters and how to express them in contemporary film creation. Through the comparison of two movie texts of the two countries and analysis of the differences in creative motivation, narrative techniques and market performance, this paper reveals the artistic expression and tendency of the directors of China and South Korea in dealing with historical theme films.

关 键 词：历史片 比较 创作 差异 

分 类 号：J905[艺术—电影电视艺术]