“秘画珍图”:敦煌绘本长卷P.2683《瑞应图》再探  

The Rare and Treasured Painting:Re-examining the Dunhuang Document P.2683, Known as the Chart of Auspicious Omens

作　　者：陈爽[1] Chen Shuang

机构地区：[1]中国社会科学院古代史研究所,北京100101

出　　处：《中国国家博物馆馆刊》2021年第9期77-94,共18页Journal of National Museum of China

基　　金：2016年度教育部人文社会科学重点研究基地重大项目北京大学中国古代史研究中心“中国中古史籍与史料的整理与研究”(项目编号:16JJD770004)研究成果之一。

摘　　要：P.2683《瑞应图》是敦煌文书中一件极为罕见的绘本长卷,受到学界持久的关注。既往研究多注重对文字考释和文本来源的探究,本文则从P.2683的物质形态观察入手,对传统认识中P.2683源自顾野王《符瑞图》的推断提出了若干新的佐证,认为:除文本内容、体例结构、著述时间基本相合之外,南朝名士顾野王的画家身份和《符瑞图》"秘画珍图"的特定属性,为确定P.2683号母本提供了线索;《符瑞图》所具有的"益采图纬"的主要特征与P.2683号中"旧图不载"的记述相互对应,成为两者渊源关系一个较为直接的证据。The Dunhuang document P.2683, known as the Chart of Auspicious Omens(Ruiying Tu), is a rare scroll characterized by its remarkable length and its delicate pictures, which has therefore drawn much scholarly attention. Previous studies mainly focused on the interpretation of texts and the sources of content. With a scrutinized analysis of the material form of the scroll, this paper provides further evidence for the widely accepted conclusion that P.2683 is a later copy of the Chart of Auspicious Signs(Furui Tu) by Gu Yewang. There is a close affinity in content, structure, and date of composition between the two charts. Furthermore, since the painter Gu Yewang was one of the most prestigious cultural elites, his works were regarded as "rare and treasurable paintings". The phrase "not recorded in previous charts" in P.2683 corresponds to the description of "adding texts and pictures from the esoteric apocrypha" in the chart of Gu Yewang, which is a strong evidence to confirm the origin of the document.

关 键 词：P.2683 顾野王 瑞应图 符瑞图 精抄本 

分 类 号：G256.1[文化科学—图书馆学] K879.4[历史地理—考古学及博物馆学]