早期象征派和现代派之混浊现代性——以李金发和戴望舒的诗歌为个案  

Turbid Modernity of Early Symbolism and Modernism——A Case Study of the Poetry of Li Jinfa and Dai Wangshu

作　　者：朱晓美[1] ZHU Xiao-mei(Shanxi Finance and Taxation College,Taiyuan 030024,China)

机构地区：[1]山西省财政税务专科学校公共课教学部,山西太原030024

出　　处：《哈尔滨学院学报》2021年第10期87-90,共4页Journal of Harbin University

摘　　要：对中国现代诗歌研究发现,早期象征派和现代派所呈现的现代性都烙有混浊性的印迹。以李金发和戴望舒的诗歌为个案,在现有研究中,学界多强调李金发象征主义诗歌创作的外源性和异质性,对其吸纳传统元素方面缺乏关注,而对于戴望舒的诗歌研究,则多从古典性着眼解读其混浊性,对其诗歌中现代性表现研究明显不足。因此,文章试图以此为切入点,剖析李金发诗歌中的传统元素和戴望舒诗歌中的现代精神,以进一步推动学界的相关研究。The study of modern Chinese poetry finds that the modernity presented by early symbolism and modernism is branded with turbid marks.Taking the poems of Li Jinfa and Dai Wangshu as an example,in the existingstudies,the academic circles mostly emphasize the exogenous and heterogeneity of Li Jinfa’s symbolic poetry creation,and pay little attention to its absorption of traditional elements,while Dai Wangshu’s poetry research mostly interprets its turbidity from the perspective of classicality,while the studies on the expression of modernity in his poetry is obviously insufficient.Therefore,this paper attempts to take this as the starting point to analyze the traditional elements in Li Jinfa’s poetry and the modern spirit in Dai Wangshu’s poetry,so as to further promote the relevant research in the academic circles.

关 键 词：李金发诗歌 戴望舒诗歌 现代精神 混浊的现代性 

分 类 号：I207.25[文学—中国文学]