马尔康市新门底寺佛塔壁画调查简报  

A Survey Briefing on the Pagoda’s Murals of Shu’umda’idgon Temple at Barkam County

作　　者：李勤学 Li Qinxue

机构地区：[1]阿坝藏族羌族自治州文物考古研究所

出　　处：《故宫博物院院刊》2021年第9期25-41,143,144,共19页Palace Museum Journal

摘　　要：新门底寺系藏传佛教觉囊派寺院,由措尔基寺一世活佛嘉瓦桑布创建。佛塔内绘制大量壁画,题材从释迦牟尼佛、大黑天、宝帐护法及上师传承关系等逐层过渡至时轮金刚等内容,涉及密宗行部、事部、瑜伽部和无上瑜伽部中父续、母续传承关系,较为全面地展示了觉囊派的教法体系。塔内壁画是阿坝地区发现的第一处具有尼泊尔-西藏混合风格壁画。对研究阿坝地区早期艺术风格的形成与演变具有重要的价值,更为研究觉囊派东传后至多罗那他中兴前阶段的绘画艺术和风格演化提供了重要的新材料。Shu’umda’idgon is a Tibetan Buddhism Temple of the Jonang sect,which was founded by the first Rinpoche Ghavasangpo of the Dzam thang chosrjedgon Monastery.The pagoda houses a number of wall paintings fully illustrating the preaching system of the Buddhist Jonang sect covering the themes from Shakyamuni Buddha,Mahakala,Treasure Dharma,Guru parampara to Kalachakra,which involve the lineage of Father tantra pha gyu and the mother tantra pha gyu included in the Four Classes of Tantra----kriya(action),charya(performance),yoga and supreme yoga Tantra.The murals mixing the Nepal and Tibetan styles are the first found in Aba area.The wall paintings are much informative valuable for understanding of the emergence and transformation of the early art style in Aba area as well as evolution of the painting art and style between the Jonang sect spreading eastward and the reviving Taronata.

关 键 词：觉囊派 壁画 东传 混合风格 15-16世纪 

分 类 号：K879.41[历史地理—考古学及博物馆学]