清代黄河河神黄大王形象塑造探析  

On the Image Building of the God of Yellow River in Qing Dynasty

作　　者：王云红[1] 吴灿灿 WANG Yunhong;WU Cancan(School of Humanities,Henan University of Science and Technology,Luoyang 471023,China)

机构地区：[1]河南科技大学人文学院,河南洛阳471023

出　　处：《洛阳理工学院学报（社会科学版）》2021年第5期1-6,11,共7页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：河南科技大学大学生训练计划重点项目“黄河水利碑刻的调查、整理与研究”(编号:2020206);河南省高等学校青年骨干教师培养计划资助项目“河洛契约文书与近代地方社会研究”(编号:2018GGJS055)的部分成果.

摘　　要：黄大王信仰是明清以来兴盛于黄河中下游地区的一种黄河河神信仰,反映了黄河沿岸居民的精神寄托与情感需求。通过对地方志、文人笔记以及国家典籍等资料的整理分析,认为主要是民间大众、地方文人以及国家官僚三种势力参与了黄大王形象的塑造。这三方力量参与塑造黄大王形象的动机在于其自身独特的需求:民间大众朴素的情感需求,地方文人对自身利益的诉求,国家官僚对社会稳定的追求。黄守才自身特质的影响,配合以上各种因素的共同作用,共同完成了对黄大王的形象塑造,使之流传至今,为人们理解黄河文化的内涵提供了一个新的视角。HUANG Dawang has had many faithful followers in the middle and lower reaches of the Yellow River since the Ming and Qing dynasties.It reflects the spiritual sustentation and emotional needs of the residents along the Yellow River.Through the analysis of local Chronicles,literati notes and national classics,it is concluded that the folk,local literati and national bureaucrats have contributed to the shaping of the image of HUANG Dawang.The motivation for the three groups is respectively characterized by the emotional needs,the demands for their own interests,and the pursuit for social stability.Influenced by HUANG Shoucai′s own characteristics and combined with the above factors,the image of HUANG Shoucai has been built and passed down to today,providing a new perspective for us to understand the connotation of Yellow River culture.

关 键 词：黄河河神 黄守才 形象塑造 民间信仰 

分 类 号：K249.3[历史地理—历史学]