点亮鲜活的民族生活图式——电视剧《山海情》的日常美学  

Illuminating the Vivid National Living Pattern:the Daily Aesthetics of the TV Drama Minning Town

作　　者：周安华 ZHOU An-hua(Department of Humanties and Social Sciences,Shandong University,Qingdao yShandong 266237;School of Literature,Nanjing University,Nanjing,Jiangsu 210046)

机构地区：[1]山东大学人文社科研究院,山东青岛266237 [2]南京大学文学院,江苏南京210046

出　　处：《艺术百家》2021年第5期76-79,88,共5页Hundred Schools In Arts

摘　　要：与通常的主题剧不同,《山海情》借助于微观化、真实化、细节化,在当代重大现实题材空间之中,彰显了楚楚动人的日常美学力量,冲上了主流电视剧前所未有的新高度。该剧对民族性情深入理解、用心挖掘,直面现实艰辛和多重矛盾,围绕扶贫搬迁的现实难题,设置主要冲突线,生动描述了以马德福为代表的西海固人对新生活的梦想和追求。通过物质和精神的双重焦灼及消解,完成重要的蕴涵勾勒与传达--基于人物秉性的深刻认识,揭示主人公内心世界的丰富性及其在大变革中的成长。由此,《山海情》的日常美学获得了一种超越性的艺术力量。With the help of microcosm, reality and detail, the TV drama "Minning Town" has shown the great power of daily aesthetics in the contemporary major realistic themes, and has surged to an unprecedented new height among mainstream TV dramas. This drama has a deep understanding of the national character, does not avoid the realistic contradictions, around the problem of poverty alleviation relocation, set up the main conflict line, vividly describes the Xihaigu people represented by Ma Defu’s dream and pursuit of a new life. With a profound understanding of human nature, this play reveals the richness of the inner world of the protagonist and the growth in the great change, and has gained transcendent artistic power.

关 键 词：《山海情》 民族生活 日常美学 

分 类 号：J905[艺术—电影电视艺术]