文艺再整合与革命畅销书的浮沉——以20世纪60年代的《欧阳海之歌》评价为例  

The Reintegration of Literature and Art and the Ups and Downs of Revolutionary Bestsellers—A Case Study of the Evaluation of Song of Ouyang Hai in the 1960s

作　　者：康斌 KANG Bing(School of Literature and Journalism,Southwest Minzu University,Chengdu 610064,China)

机构地区：[1]西南民族大学中国语言文学学院,四川成都610064

出　　处：《海南师范大学学报（社会科学版）》2021年第5期1-9,共9页Journal of Hainan Normal University(Social Sciences)

基　　金：西南民族大学中央高校基本科研业务费专项资金资助(项目编号:2019SQN24)。

摘　　要：金敬迈于1965年创作的《欧阳海之歌》,曾获得广泛的社会认可,同时也无可避免地身陷于不同政治文化力量的争夺和整合之中。细致梳理《欧阳海之歌》跃居此一时期文学典范的过程,辨明那些看似雷同的文学评判是否内含差异,呈现小说及其作者在不同政治文化力量角力过程中的兴衰沉浮,将有助于我们深刻理解此一时期对“十七年”文学的再整合机制。Song of Ouyang Hai,written by Jin Jingmai in 1965,has won widespread social recognition but has also been inevitably caught in the struggle and integration of different political and cultural forces.A careful analysis of the process of how Song of Ouyang Hai has become a literary model of that period,an identification of minute differences among those seemingly similar literary judgments as well as a presentation of the ups and downs of the novel and its author in different political and cultural power struggles will be of help for us to profoundly understand the reintegration mechanism of the“seventeen-year”literature.

关 键 词：金敬迈 《欧阳海之歌》 畅销书 “十七年”文学 再整合 

分 类 号：I206.7[文学—中国文学]