传统中国画的现代境遇  

Status of Traditional Chinese Painting in Modern Times

作　　者：安鼎文 An Dingwen

机构地区：[1]岭南美术学院

出　　处：《美术》2021年第10期17-20,共4页Art Magazine

摘　　要：传统中国画是一个既有方法系统又有思想系统的艺术体系。它不仅是一种艺术语言的范式,更是一种文化语言的范式。就艺术本体而言,在世界艺术的范式中它可谓高标独立。然而随着近现代西方文化的冲击,这棵"大树"被不断地"肢解"与"嫁接"以至其"面目"模糊,样态混杂,其文化内涵亦渐被消解。在文化自信的新时代,对于当下中国画创作中传统意涵缺失的问题,回溯与重拾传统中国画的艺术特性和精神品格十分必要。Traditional Chinese painting is an art system equipped with both methodology and systematic thought.It is a paradigm of both artistic and cultural language.As far as the art itself is concerned,traditional Chinese painting can be described as distinctive among different art paradigms throughout the world.However,impacted by modern Western culture,the"big tree"has to be"fragmented"and"grafted"so that it becomes"faceless"in a chaotic form,and its cultural connotation has gradually been evanished.In the new era of cultural self-confidence,it is necessary to regain and remold the artistry and spirit of traditional Chinese painting so as to make up for the lack of traditional meanings of current Chinese paintings.

关 键 词：传统中国画 文化内涵 精神品格 继承 

分 类 号：J209[艺术—美术]